Sunday, April 13, 2008

“2008 Boao Forum for Asia” started two days ago in Bo’ao, Hainan, China, and participated with government and industrial executives worldwide. Because revolutions in the Web 3.0 era have made a major impact on global economy, several elites from the Internet industry like Kai-Fu Lee provided forecasts for this key industry in the forum.

Furthermore, Vincent Siew, the vice-president elect, provided his comments in the forum. But two coalitions (Pan-Blues and Pan-Greens) declared different comments on Siew’s participation.

But due to a hot topic of environment and greenhouse effect, Rajendra Kumar Pachauri, winner of 2007 Nobel Peace Prize, commented on this forum: “There were several sectors on energy-saving, not governments, but the public should play a great role in this global warming era.”

Wednesday, February 27, 2008

The Svalbard Global Seed Vault, a vault containing millions of seeds from all over the world, saw its first deposits on Tuesday. Located 800 kilometers from the North Pole on the Norwegian island of Spitsbergen, the vault has been referred to by European Commission president José Manuel Barroso as a “frozen Garden of Eden“. It is intended to preserve crop supplies and secure biological diversity in the event of a worldwide disaster.

“The opening of the seed vault marks a historic turning point in safeguarding the world’s crop diversity,” said Cary Fowler, executive director of the Global Crop Diversity Trust which is in charge of collecting the seed samples. The Norwegian government, who owns the bank, built it at a cost of $9.1 million.

At the opening ceremony, 100 million seeds from 268,000 samples were placed inside the vault, where there is room for over 2 billion seeds. Each of the samples originated from a different farm or field, in order to best ensure biological diversity. These crop seeds included such staples as rice, potatoes, barley, lettuce, maize, sorghum, and wheat. No genetically modified crops were included. (Beyond politics they are generally sterile so of no use.)

Constructed deep inside a mountain and protected by concrete walls, the “doomsday vault” is designed to withstand earthquakes, nuclear warfare, and floods resulting from global warming. Norwegian Prime Minister Jens Stoltenberg called it an “insurance policy” against such threats.

With air-conditioned temperatures of -18 degrees Celsius, experts say the seeds could last for an entire millennium. Some crops will be able to last longer, like sorghum, which the Global Crop Diversity Trust says can last almost 20 millenniums. Even if the refrigeration system fails, the vaults are expected to stay frozen for 200 years.

The Prime Minister said, “With climate change and other forces threatening the diversity of life that sustains our planet, Norway is proud to be playing a central role in creating a facility capable of protecting what are not just seeds, but the fundamental building blocks of human civilization.” Stoltenberg, along with Kenyan Nobel Peace Prize laureate Wangari Maathai, made the first deposit of rice to the vault.

“It is very important for Africa to store seeds here because anything can happen to our national seed banks,” Maathai said. The vault will operate as a bank, allowing countries to use their deposited seeds free of charge. It will also serve as a backup to the thousands of other seed banks around the world.

“Crop diversity will soon prove to be our most potent and indispensable resource for addressing climate change, water and energy supply constraints and for meeting the food needs of a growing population,” Cary Fowler said.

Wednesday, April 8, 2009

Ernest Krajniak from Chilton, Wisconsin in the United States has been charged with arson after a lit cigarette ignited gasoline soaked clothes, setting his apartment ablaze.

On Friday April 3, Krajniak, 47, cleaned his entire apartment with about five gallons of gasoline, wiping everything down with the soaked clothes. After he was finished, he piled the soaked clothes in the center of his bedroom, lit a cigarette and then threw what was left of the still lit cigarette, into the pile.

Krajniak never called the fire department and never pulled the alarm. Instead he yelled ‘fire’ a few times then walked to the police station where an ambulance took him to a local hospital for the treatment of minor burns. The fire department later arrived to put out the blaze and his apartment was extensively smoke damaged. 11 other apartments were also damaged, leaving the occupants without a place to stay for at least a week.

“I should have never used that,” said Krajniak during a court appearance on Monday. He admitted to knowing that gasoline was highly flammable. He was arrested and his bond has been set a US$2,500. Krajniak’s next court appearance is scheduled for Monday, April 13. According to WISinfo.com, Krajniak has no prior criminal record.

The careless smoking of cigarettes has been blamed for thousands of fires across the U.S. In January 2008, an unnamed elderly woman in Buffalo, New York was receiving oxygen for medical problems in her home and lit a cigarette and began to smoke it. The oxygen coming from her mask then facilitated the ignition of her clothing, setting her on fire.

In the U.S. in 2002, only 4% of all residential fires were reportedly caused by smoking materials. These fires, however, were responsible for 19% of residential fire fatalities and 9% of injuries. The fatality rate due to smoking is nearly four times higher than the overall residential fire rate; injuries are more than twice as likely. Forty percent of all smoking fires start in the bedroom or living room/family room; in 35% of these fires, bedding or upholstered furniture are the items first ignited.

Wednesday, June 27, 2007File:America’s Cup.jpg

Team New Zealand have won the third yacht race in the bid for America’s Cup, beating the defending champion, Swiss syndicate Alinghi. Sport commentators and yachties are describing the win as one of the greatest races in the history of the Cup.

Team New Zealand finished the race 25 seconds ahead of Alinghi, despite the leader changing three times throughout the race. This new win for Team New Zealand puts the overall score at 2 wins for Team New Zealand and one win for Alinghi. The winner of the America’s Cup will be the first to reach five wins.

By the first mark of the race, Team New Zealand had a lead of one minute and 23 seconds. However, at this turn, their spinnaker got caught in the genoa gear and Richard Meacham, mid bowman, almost went over board. Due to this mistake, Alinghi were able to catch up and lead the second mark by 15 seconds. Grant Dalton, head of Team New Zealand, said, “The trouble we had at the leeward mark let [Alinghi] back into the race and [Team New Zealand] paid the price.”

But Team New Zealand managed to win, 25 seconds in front. Team New Zealand navigator Kevin Hall said, “My heart rate would be doing about 180 right now but it’s nice to be towing in and looking at them back there instead of in front of us like they were in the second beat.”

The head of Alinghi, Ernesto Bertarelli, believes that the race committee should not have started the race, which it did so at 4:59 p.m.. The race cannot be announced after 5.00 p.m.. “We waited for two hours…”

Team New Zealand strategist Ray Davies said, “There was certainly a bit of dice rolling.”

President of the Nelson Marlborough Yachting Association Doug Mckee described the race as the most exciting one since Australia winning the America’s Cup when the Australians won the Auld Mug from the New York Yacht Club who had held it for 132 years. “We are definitely good enough to win the cup.”

Hall said, “It probably hasn’t happened very often that you see three passes in an America’s Cup race. It’s a testament to the strength of both teams.”

The wind speed was around 8–9 knots.

Alinghi beat Team New Zealand in 2003, also winning the America’s Cup in Auckland, New Zealand.

Wednesday, February 3, 2010

Militants in north-west Pakistan blew up a fuel tanker carrying supplies to NATO forces in Afghanistan on Monday. More than ten armed men shot at the tanker and fired a rocket at the vehicle outside Peshawar city, and the driver and a passenger were injured in the attack, although no loss of life is reported.

Head of the north-western city’s administration, Sahibzada Anees, said “About ten armed people fired at a tanker carrying petrol for NATO forces and later lobbed a rocket at the vehicle, which set alight some 78,000 litres (17,000 gallons) of fuel”.

According to witnesses, the tanker was quickly in flames. The residents of the areas were successfully rescued by police and fire fighters and the blaze was brought under control. Police have launched a search operation in nearby areas, although with no success.

Nobody has yet claimed responsibility for the attack. Oil tankers and trucks bringing goods from port city of Karachi for allied forces battling the Taliban in Afghanistan have been regularly attacked. About 80% of supplies destined for the more than 113 thousand NATO troops in Afghanistan have to pass through Pakistan. The coalition forces bring 70% of supplies through Pakistan every month, from a total of two thousand truckloads.

Wednesday, January 16, 2008

Tom Cruise: An Unauthorized Biography, a biography of actor Tom Cruise written by journalist Andrew Morton, was released in the United States yesterday amidst the potential for a US$100 million lawsuit against its publisher, St. Martin’s Press. The book will not be published in Australia, Britain, and New Zealand due to strict libel laws in those countries. Morton had previously written the biography of Diana, Princess of Wales, Diana: Her True Story. The book has reached number nine on Amazon.com‘s list of top sellers.

The book describes Cruise as the No. 2 leader of the Church of Scientology, blames Scientologists for the breakup of Cruise and actress Nicole Kidman, and states that Cruise’s latest mission is to recruit David Beckham and wife Victoria into Scientology. The book also describes how some Scientology followers thought that Cruise’s wife Katie Holmes was impregnated with frozen sperm from L. Ron Hubbard, founder of Scientology, and Morton compares the situation to Rosemary’s Baby “In her more reflective moments, Katie might have felt as if she were in the middle of a real-life version of the horror movie ‘Rosemary’s Baby,’ in which an unsuspecting young woman is impregnated with the devil’s child.”

A 15-page statement released by the Church of Scientology denied Morton’s assertions of Cruise’s No. 2 standing within the organization. In the statement the Church of Scientology claims that Morton did not respond to requests for an interview “The Church of Scientology requested to be interviewed or be presented with any allegations so we could respond. Morton refused despite our insistence in offering our cooperation.” The Church of Scientology also specifically responded to the claims regarding Hubbard’s frozen sperm: “Was Katie impregnated by L. Ron Hubbard’s frozen sperm? … As distasteful as it is to have to say it, Mr. Hubbard’s sperm was never frozen.”

According to the AFP, “the Church of Scientology is reportedly considering legal action against US publishers St Martin’s Press.” The Church of Scientology’s general counsel, Eliot Abelson, discussed the potential for litigation in an interview with the Mail on Sunday “We are seriously considering legal action and will wait to see the public reaction.” Cruise’s attorney Bertram Fields expressed thanks for the strict libel laws in Britain “It’s not being published in England. The American publishers criticised the libel laws in Britain because they require an author to tell the truth. Well, thank God for the British libel laws.” New York’s Daily News has reported that the Church of Scientology and lawyers for Cruise are planning a US$100 million lawsuit over the book’s publication. Rogers & Cowan, the public relations agency that represents Cruise, issued a statement which criticized Morton for not interviewing “one person who has known or worked with Tom” in the past twenty-five years.

The Church of Scientology statement also pointed out that the book is not being published in Australia, Britain and New Zealand due to the countries’ strict libel laws. Australia-based companies Pan Macmillan Australia and retailer Dymocks Booksellers decided not to stock copies of the book on their shelves, due to fears of potential defamation actions against them. A spokesperson for Pan Macmillan Australia stated that they had not received threats from Cruise’s representatives or from Scientologists, but that their attorneys had advised them not to sell the book. Don Grover, chief executive for Dymocks Group stated after legal advice their company had decided to “play it safe” – though neither their lawyers or publishers had read the book itself. A representative of MacMillan stated that the book would not be published in New Zealand, but would make no further comment on the matter. A Dymocks New Zealand representative explained that it was possible that the book could be published by their company in New Zealand, but would have to look into it further “The US has different legislation than New Zealand and Australia. There are some issues with the book having legal questions asked and we would need those tidied up before we stock it.”

Morton spent two years doing research for the book, and spoke with individuals who knew Cruise personally, and executives within the Church of Scientology. Morton stated that some of these executives emailed him, confirming the accuracy of material within the book. Morton described the desire for anonymity by some of the sources in the book “Some people, obviously, will not go on the record to talk about Tom Cruise because they’re scared of him.”

In an interview on The Today Show with Meredith Vieira, Morton defended his work and responded to the statement from the Church of Scientology. Morton stated that it was unusual for a church to respond in such a way if Cruise is simply an ordinary member, asking “How many churches support one parishioner — a lowly parishioner — that way?” Morton described the response as an attack “Their policy is always to attack the attacker. Their tactic is to denigrate those who seek to talk about it.” He told Vieria that he had attempted to contact the head of the Church of Scientology, David Miscavige, but “They refused it. I formally asked for it. I was instructed to ask for it by the publisher’s attorneys, and so what they’re saying is nonsense.”

Morton explained his motivation for writing the book “He’s no longer just an actor or producer, but a powerful advocate for a cult that’s out to expand, especially in Europe.” Morton stated that his interest was piqued after Cruise jumped on Oprah’s couch during a May 23, 2005 appearance on The Oprah Winfrey Show, and got into a heated debate with Matt Lauer about his beliefs regarding psychiatry during a June 24, 2005 appearance on The Today Show.

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.

DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.